Using my rig I was able to animate my character. For reference I took photos of myself in the key poses I needed for the animation.
I chose a simple animation for my character, something to show their soft side compared to their intimidating exterior.
And with that, Almena and her bird buddy are all finished! There are quite a few areas I could improve, but, overall for the time I had on this project, I’m happy with the final result.
Initially when rigging my model I used Mixamo, an auto rigging program – the result from this brought about too many problems so I quickly abandoned this pathway. Because of this I decided to rig the model myself. This proved easier than expected, I only had a few weight painting errors to deal with after I linked my skeleton to my model.
I did attempt to give my character a face rig, however, after several attempts I gave up – I always ran into errors when trying to create the rig.
After unwrapping my characters UVs I added block colour textures to my model. There was no need to bake high quality textures due to the style of the game I’m emulating – I used nodes in blender to add detail to the model.
From following a few tutorials I was able to develop a better understanding of how nodes worked in blender. I applied what I learnt to my model. Some parts of my model also required painted textures. I was able to use nodes to mix multiple textures on the same object. It took a bit of trial and error, but I was able to get a shader and painted texture onto the same object.
A companinon to my main character is this small bird. I decided to fully complete this extra model before moving onto the main. This was so I could gain experience here, and hopefully make fewer mistakes later on when working on the more complex figure. The process on making this was the same up to texturing.
For this models textures I entirely relied on Blenders nodes and shader. This was a first for me, so I had to follow a number of tutorials to reach my desired look. I added a gradient effect to the models colours and gave it an outline shader.
When it came to rigging I came across an issue; my outline shader wouldn’t be pulled with the same weight of the armature compared to other parts of my model. I was able to solve this by going to an older file and not applying the shader straight away. In this process I had to weight paint the model so it would deform correctly – this is important so that when I come to animating the model won’t look strange when posed.
I’ve completed the retopology for my model! Even with an add on to assist me this part of the pipeline was a struggle – especially when it came to modelling smaller parts of the model, such as the fingers.
When it came to the trickier parts I struggled with I usually had to remodel them, as my first attempt was not the most optimal. References of how others tackled these areas helped a lot at this point. This tutorial was an especially good point of reference: https://www.youtube.com/watch?v=MNZVvJZ3zPA
I’ve started on retopology – to help with this I installed the ‘PolyQuilt’ Blender add on. It helps me more efficiently place and edit quads over my high detail sculpt.
From my initial blockout I began sculpting. I carved out details in my characters clothes, body and face.
From studying anatomy previously I found it not to be too much of a challenge to sculpt my characters body. Thanks to my complete blockout I was also able to be pretty efficient in moulding out the finer detail in my design.
Detailing the head/face was the most challenging – I needed to reference the most when tackling this part – but in the end I feel that I came to a successful stylised outcome. Using this article was quite helpful overall in this sculpting phase:
https://80.lv/articles/stylized-character-sculpting-in-zbrush
This week I moved onto blocking out my model. In class we were shown one method of making a base using zspheres – I couldn’t quite get the hang of it so I moved on from this attempt…
In blender I created my initial block out, looking to map out the primary shapes/ largest forms. Next I will need to block out the secondary and tertiary forms and then bring out further detail with some sculpting.
I didn’t settle on a final design in my last batch of sketches so did another page to try and find an outcome I would be happy to move forward with. I decided to do a mash up of the two female designs I did last time. I feel like this direction took the best elements from all my designs so far.
Now that I had a finalised design I could work from, I created a polished illustration/ splash art of my character, sanding down any unnecessary detail and determining my colour palette.
From this I made detailed turnaround drawings – these will help me when I come to 3D modelling.
I settled on her name – Almena – after the ‘Almendro’, a tropical tree resilient to lightning strikes.
I realized that I haven’t played the game I’m trying to emulate properly before so I booted it up today for a session to get a better look at the characters in engine.
After this I tried to look for rips of the character models online. With the help of a friend I was able to find the rigged models for all the playable characters: these will be invaluable references for when I come to do my modelling.
